Television production: issues of exploitation, commodification and subjectivity in UK television labour markets

This article analyses the features and conditions presently characterizing work and employment for freelance workers in UK television production. It does so at two levels: one is middle range in its theorization and evidentially grounded; the other, at a higher level of abstraction, ponders the most appropriate way to approach and comprehend these findings in a broader socio-historical context.

Format: Article